卡罗尔·贝克
搜索"卡罗尔·贝克" ,找到 11部影视作品
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约翰·福特
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本片讲述远在1887年美国与印第安人签订和约,答应援助正受到各种如天灾、疾病、粮食短缺等问题的印第安人,驻扎在奥克拉荷马保留区。但美国政府忽略了这项协约,于是夏安族的酋长决定,返回原来的拥有比较丰盛农产的居住地。这样一来,就破坏了协议,引起了军队和夏安族的冲突,使美国内部陷入动荡与不安中。美国人与印第安人的摩擦日益增多,这时幸好有一位军官请内政部长随行化解冲突,把印第安人原居住地也划为保留区,美国与印第安人之间终于和平起来。此片是由名导演约翰.福特所拍摄的史诗型影片,在导演细腻的描写下,人性的尊严充分表达出来,并以写实手法充分诠释了当时的历史背景。
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伊利亚·卡赞
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Living in Tiger Tail County, Mississippi, middle aged Archie Lee Meighan and nineteen year old "Baby Doll" Meighan née McCargo have been married for close to two years. Their marriage is not based on love, but each getting what they want from the other. Their marriage agreement has them consummating their marriage on her twentieth birthday, which is in three days, the act to which Baby Doll is not really looking forward. But she does taunt him and other men with her overt "baby doll" sexuality, the baby doll aspect which she fosters by sleeping in their house's nursery in a crib. Baby Doll's now deceased father allowed the marriage on the stipulation that Archie Lee provide Baby Doll financial security as displayed by the most resplendent house in the south. They currently live in a dilapidated mansion with her Aunt Rose Comfort, and although Archie Lee is making some renovations on it, he no longer has the financial means to make it what Baby Doll wants as his cotton ginning ... Written by Huggo
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伊万·雷特曼
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毒贩克里斯的妻子带走了三百万美元和他们的儿子逃跑,克里斯在打探妻子下落的过程中枪杀了一名知情者,这起凶杀案令追查了克里斯多年的警探金宝(阿诺·施瓦辛格 Arnold Schwarzenegger 饰)终有机会将其收押,然而如令克里斯认罪伏法,金宝还必须找到他的妻子作为重要证人。警方掌握的线索及其有限,金宝和女同事只得来到某小镇,卧底装扮成老师来寻找就读于幼儿园的克里斯之子。因女同事急病,金宝只得独挑重任,和一群十分不安分的小鬼头打交道,同校的女教师乔伊丝(佩内洛普·安·米勒 Penelope Ann Miller 饰)和金宝之间擦出了火花。金宝的教师生涯渐渐顺风顺水,而这时,克里斯妻子与儿子的身份浮出水面,令金宝颇感意外……
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爱德华·迪麦特雷克
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George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes. While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle. The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures. The Carpetbaggers is the kind of trashy classic most people were too embarrassed to admit they enjoyed back in the early 60s. But this Harold Robbins adaptation is so cheerfully vulgar, it's hard not to have a good time - especially given the thinly veiled portrait of Howard Hughes at its center. George Peppard plays the heel-hero, who founds an airline company in the 1920s and buys a movie studio in the 1930s, crushing friends and mistresses along the way. The high cheese factor is aided by the good-time cast: Carroll Baker as Peppard's hot stepmom, Bob Cummings (quite funny) as a cynical agent, and Elizabeth Ashley, who married Peppard, in her debut -uncharacteristically, as a good girl. One sad note is Alan Ladd, looking and sounding very end-of-the-line in his final role, as a man's man cowboy star. Elmer Bernstein's swaggering score helps goose the action along.











